Monday, 1 November 2010

2010 Fletcher Jones art prize, Geelong Gallery

Pose 2010 oil on linen 91.5 x 122.0 (each, diptych) selected in finalist 2010 Fletcher Jones art prize, Geelong Gallery

The painting is divided in to two parts, left and right. The left part is composed of a pair of forbidden shoes and a post card resting on an opened book. In the post card there is a 20th century Chinese girl with forbidden feet leaning on a classical bed, who reads and have immersed herself into imagination.

The painting on the right juxtaposes two books which depict two portraits in different eras, which illustrates different styles of painting in 19th and 20th century, aesthetics of different eras and the development of civilisation.

The portraits of Eastern and Western in different era and style placed together to form a strong contrast, which describes the change in people’s aesthetic ideology and culture differences. The pose of the model shows the trend and concept of that era.

Wednesday, 1 September 2010

Poppy

   Du Chonggang, Poppy, 2010, 137.2x137.2cm, oil on canvas


        

© Du Chonggang 2011


Saturday, 31 July 2010

Background, 7 - 31 July 2010, Place Gallery, Melbourne

 Background 7 - 31 July 2010 Place Gallery Melbourne



 Art Guide Australia July/august 2010


 
Background 2010 video work, 23' 4''

Contemporary China, 2010, 51 x 51cm x 4, oil on linen

Quoted from Andy Warhol’s portrait of Elizabeth Taylor put together with Mao Ze Dong’s portrait to form a face. This quasi Eastern and Western face, with flowers on head and a cigarette made of US dollar in the mouth which hints the mixed body of Western and Eastern culture, and illustrates the corruption and feudal political system with the powerful Western Capitalism economy system, which creates money worship, dictator and moral degenerates.

 Wink, 2010, 51 x 51 cm x 16, oil on linen
The life in a blink is influenced by traditional culture, religion, epoch and fashion, culture background fills lives with individuality. What kind of historical background forms our present individual and present society?

Berlin Wall (Deng Xiao Ping), 2010, 91.5 x 122cm, oil on linen

The Berlin wall was built in 1961 and demolished in 1989. The Berlin wall is a symbol of the division and cold war after the Second World War. The graffiti on Berlin Wall have recorded people’s desire of freedom and the division scar of Germany. The portrait of Den Xiao Ping has been repeatedly put onto the year 1989 page in “Berlin Wall Graffiti” to recall the suppression on defenceless students by the Deng Xiao Ping government in 1989 Beijing.

The Red Torch, 2010, 91.5 x 122cm, oil on linen

By inserting figure of Li Tie Mei of The Red Torch into a page of classical decorated book forms an effect of abruption. The Red Torch was a popular Beijing Opera in Cultural Revolution period. Sarcastically, implication behind the messy and luxurious decorative frame depicts simplicity and revolutionary figure. The chaos and confusion illustrates the current reality.

Modern Lure, 2010, 137. 3 x 137.3 cm, oil on linen
  
The three Chinese girls on the canvas represent three generations in the past century of China. That a girl leans on western style sofa in the top painting depicts the city life in the mixed culture of the East and West Shanghai during its colony period (1910-1930). The figure in the bottom-left origins from Ballet Bai Mao Girl in 1960s during the Culture Revolution, which represents the overthrowing of exploiting class by the labour army led by Mao Ze Dong, and the liberation of women. The figure in the bottom-right illustrates prostitutes serving in clubs, which represents the money omnipotent in contemporary China. The bottom painting is a Golden lilies’ placed on top of an opened book with an illustration of Western female lesbian from many of the Western paintings. The last century in China is a history of reform and tribulation, together with the introduction of Western culture such as measure of value which conflicts with the traditional Chinese Culture.


Control and been controlled, 2010, 137.3 x137.3cm, oil on linen


Images details:

  1. Mao Ze Dong (a book about Mao Ze Dong)
  2. Red guards shows loyalty to Mao in The Tiananmen Square (image from Internet)
  3. February, 24th 1968, South Vietnamese Army General Loan kills a suspect in public: “Buddha will understand”, he said. Page 976, Chronicle of the 20th Century, Jacques Legrand SA International Publishing, 1990
  4. Hitler and Mussolini (cover of a book)
  5. The European Powers, A.J.P. Taylor, History of the 20th Century Phoebus Publishing, 1968, page 4: European immigrants use chains to transport African slaves
  6. The terrified naked abused Jewish Women under the rule of German Fascists (from television)
  7. Zhao Zi Yang – one of the leaders that against government to use weapon on students – is using microphone to warn students flee Tiananmen Square on the day before June, 4th, 1989. (from television)
  8. The Boer War (South Africa, 1899-1902) A.J.P. Taylor, History of the 20th Century Phoebus Publishing, 1968, Page 15
  9. and 10.            Pope of Catholic and his fans in Sydney, 2008 (images from television)
  10. Marilyn Monroe (image from Internet)

                                           The Age, Robert Nelson  


    
© Du chonggang 2010
                                            

Thursday, 28 May 2009

Video - Stamp (extract)

Stamp (extract)
Video (6'49'')
2009

Statement


I have used a projector to project images from different epochs and images and text from the media onto a human face.  The constantly changing images illustrate the change of epochs and the conflict of concepts, and the media and public opinion on people of influence and change.  The face is the window to show oneself, and is the carrier of reason and emotion.  Expression is the heart’s emotional display; therefore the face can be seen as the screen of soul.  Society and culture alter people’s pattern of conduct, which is rational, constrained, and instinctual. 

People’s facial expressions can deliver their change of emotion, and can also represent social positioning, such as, level of civilisation, accomplishment, period, feel etc.  Religion, faith, occupation, national properties, devoutness and slyness, happiness and tribulation, can all be revealed by the face.  A person can be left with a stamp deeply embedded in his or her heart because of background and experience, and these brands may affect a life forever. The faces of Jewish survivors from the Nazi Concentration Camps have been stamped with their experiences of inhuman treatment, yet; by contrast, the smiling and deceitful faces of Hitler and other Fascist leaders show incredible arrogance and evil.

The importance of facial decoration in human activities dates back to ancient times.  Primitive people decorated their faces and bodies in order to symbolise their faith and shared beliefs.  Decoration of the face a body can significantly alter one’s figure.  As nature changes society, different cultural background form different bodies.

Thursday, 23 April 2009

Performance & Installation, Contemporary China's Dragon

Contemporary China's Dragon,Performance, 23/04/2009, St Kilda Beach, Melbourne
Contemporary China's Dragon,Performance, 23/04/2009, Federation Square, Melbourne


Museum of Chinese Australian History, 19 August - 2 September 2009