Chonggang Du was born in China in 1963. He received a Bachelor of Fine
Art from Shan Dong University and went on to teach at Jinan Craft Arts
School and Shan Dong Arts Academy for 18 years before moving to
Australia in 2003. In 2009, Du completed a Master of Fine Art at Monash
University. As an academic artist, Du expresses both theoretical and
artistic concerns through his work, actively engaging with issues of
culture, power and politics.
The current body of work looks specifically at the power of the media
and how it exerts a pervasive control not only over individuals, but
also over government. We just need to look at the knee-jerk reactions
politicians have to the latest negative polling result, for a complete
turn around on policies, if indeed there were any there at all. Just who
holds the real power in society is not always obvious anymore.
A sheet of newspaper is crumpled and twisted, symbolizing the contorted
messages sent to us by the media. In some works, the paper seems to
take on the form of a bird, hovering uncertainly in an ominous sky full
or storm clouds. Is it about to fly off to freedom, or plummet to earth
like a bomb?
The artist has made many of these paper bird bombs from both local and
Chinese newspapers. The newspaper might contain stories of great
inspiration, bravery and courage, yet it is presented to us as crushed
and worthless, unreadable and unworthy. But still the artist has found
an appealing abstraction in the various forms of balled paper. Some have
been loosely painted with broad brush strokes, while others show more
detail and tonal technique.
The sculptures in the exhibition also use newspaper as a medium. In
The red cage no. 1,
the public – represented by the naked dolls – is contained within a
phallus shaped cage, carefully reshaped by the artist from an existing
metal birdcage and stuffed with more crumpled newspaper. The commentary
here could also be about gender issues, and the historic oppression of
women through both physical and psychological means.
In
The red cage no. 2,
the painted red birdcage is again a symbol of a totalitarian regime,
and the control it has over the minds of the people through the
distribution of selective knowledge.
They say that the pen is mightier than the sword, and so the printed
word can be more powerful than an army, however, if this knowledge is
not used for good, then the result can be devastating. Brainwashing is
an assault made upon the general population on a daily basis by media in
all forms. We are bombarded by advertising at every turn: print,
online, advertising, magazines, books and smart phones. The topics may
not always be about politics, but they are invariably about money, and
about how those in power can get more of it by manipulating us to buy
this, wear that, eat this, not look like that. Our cultural diversity
and even our individuality are being stripped from us, as we are
encouraged to conform to the media’s idea of normal. And in the process,
mankind is losing touch with the natural world, plundering resources
rather than working with nature to protect the environment. Somehow,
this very important message must get through before it is too late.
- exhibition catalogue text by Gina Lee